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Auditory streaming and the building of timbre. Primary auditory stream segregation and perception of order in rapid sequences of tones. Requin (Ed.), Attention and performance VII. Journal of the Acoustical Society of America, 1973, 53, 699–709.īregman, A. Dichotic speech perception: An interpretation of right ear advantage and temporal offset effects. New York: Oxford University Press, 1976.īerlin, C. Journal of the Acoustical Society of America, 1968, 43, 51–55.īenade, A.
Perceived rate of monotonic and dichotically alternating clicks. Journal of the Acoustical Society of America, 1977, 61, 811–815.Īxelrod, S., Guzy, L. Two-channel simultaneous frequency difference limen. It is argued that difficulties in binaural integration are due not to processing limitations, but to a mechanism that is invoked under certain conditions to prevent confusion in monitoring individual sound sources.Īhroon, W. Onset-offset asynchronies between the drone and melody components resulted in performance levels between those where the drone and melody components were synchronous and those where the melody switched between ears without an accompanying drone. This improvement in performance cannot be attributed to processing the harmonic relationships between melody and drone, since when, instead, the drone was presented to the same ear as the melody component, performance was at chance. Yet when the component tones of the melody were distributed between the ears, performance was largely nullified when a drone (i.e., a lower constantfrequency tone) was presented to the ear opposite that receiving the melody component. When these sequences were presented binaurally, excellent performance was obtained. Listeners identified melodic configurations formed by rapid sequences of tones. It has been argued that there is a limit to the rate at which we can switch attention between ears in monitoring auditory information.
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